The Visionaries-repped director explores family life, fleeting moments and reunion through food in a wholesome campaign for Weber.
Chris Fowles’ latest work for Weber is a warm and quietly observant portrait of modern family life - where routines overlap, days blur together and meaningful moments can easily slip by unnoticed.
Set against the backdrop of everyday domestic demands, the film follows a busy family moving through separate rhythms and distractions before reconnecting around a shared meal. Fowles’ naturalistic direction and carefully observed performances mean that the spot becomes less about the barbecue itself and more about what it represents: carving out time for one another.
There’s a paired-back honesty to the storytelling that feels instantly recognisable. Packed schedules, passing interactions, phones, work, school runs - the film captures the small disconnects of daily life without feeling heavy-handed. Instead, it offers optimism through the idea that food will always have the power to bring people together.
Fowles balances intimacy with warmth and allows the emotion to emerge through small gestures and lived-in moments. The result is a beautifully understated piece that feels authentic, human and warmly observed.
Here’s what Chris had to say:
“The Weber film was a really enjoyable one to make and the script struck a chord with me straight away. At the time, I was living in a flat in London with no outdoor space, so the idea of slowing down and getting everyone together around a grill felt especially appealing.
One of the key creative ideas was contrasting the hectic pace of family life with the calm of cooking and eating together outside. We wanted the opening to feel textured and busy, before everything settles into a warmer, more relaxed atmosphere. Our DoP, Henry Gill, captured that contrast beautifully.
We shot the whole film in a single day in Mallorca with an incredible team. It was a brilliantly collaborative shoot, and I’m really proud of how naturally the performances, food and product all came together.”
Agency: Inside Job
Agency Producer: Pamie Wikstrom
Production Company: Tinderflint
Executive Producer: Rob Pitman
Producer: Sonj Rasi
Director: Chris Fowles
DOP: Henry Gill
Food Stylist: Matthew Ford
Service Company: Somos Tan Tan Films
Line Producer: Josh Wroe
Production Manager: Amanda Tuckwell
Art Director: Carolina Vita
Editor: Rob Pitman
Colourist: Alexandre Narczewski
Sound Design: Tom Joyce
